Nadja Lind has had a very fruitful career since emerging on the scene in the early noughties, releasing on Soma, Darkroom Dubs and 100% Pure, not to mention Lucidflow, the label she runs alongside close friend and Klartraum collaborator Helmut Ebritsch.
Meanwhile, Paul Loraine, known for his work on Vitalik, Fondation, Akbal and My Favorite Robot, has garnered a reputation as the man behind Rhythm Cult, whilst also being described as one of the UK’s best secrets.
After almost 20 years on the circuit delivering timeless music for many of the world best record labels, Glasgow producer Vince Watson prolific career entered a new phase in 2014, with releases on Cocoon as well as Poker Flat, Ovum and Bedrock and appearances at Richie Hawtin’s ENTER.
Already in 2015, his debut release on Osunlade’s Yoruba Records topped the charts for 6 weeks solid. Carl Craig and Josh Wink both remixes his tracks recently, and he has EPs coming later this year on New York House labels Nervous and King Street.
Now based in Amsterdam, Vince’s live shows are now in demand around the world, and as a former Tresor resident, his DJ sets are also now highly requested. Vince’s take on Nadja and Paul’s ‘Velocity’ (which we premiere here exclusively) demonstrates his trademark synths with a sultry bassline.
“Velocity” will be available 7 September on Wolf Trap