{"id":38917,"date":"2016-12-07T15:18:51","date_gmt":"2016-12-07T14:18:51","guid":{"rendered":"http:\/\/www.deephouseamsterdam.com\/?p=38917"},"modified":"2016-12-12T21:27:15","modified_gmt":"2016-12-12T20:27:15","slug":"interview-apres","status":"publish","type":"post","link":"https:\/\/www.deephouseamsterdam.com\/london\/interview-apres\/","title":{"rendered":"Interview: Apr\u00e8s"},"content":{"rendered":"<p><strong>We caught up with Londoner Apr\u00e8s as he continues his fine run of form in 2016 with his forthcoming release on Eton Messy Records to chat production, inspiration and Ibiza.<\/strong> <\/p>\n<p>Bursting onto the scene with <em>\u2018Chicago\u2019<\/em>, a mammoth debut on SubSoul which went on to be one of the biggest house records of 2015, the consistency from Apr\u00e8s for putting out quality original records and remixes hasn\u2019t faltered. <\/p>\n<p>Having spent a busy summer playing festivals such as <strong>Lost Village, Boardmasters<\/strong> and <strong>Sail Away<\/strong> and DJ supporters that include the likes of <strong>Annie Mac, Pete Tong, Groove Armada, Marco Carola, MistaJam, DJ EZ<\/strong> and <strong>Tough Love<\/strong> to name a few, 2017 is set the be the year for this burgeoning Brit.  <\/p>\n<h3 style=\"text-align: center;\"><em><span style=\"color: #e40045;\">&#8220;Your target demographic as an electronic artist will constantly change&#8221;<\/span><\/em><\/h3>\n<p><strong>Where did it all start for you with producing? What pushed you to make it your career?<\/strong><br \/>\nI have always been a musician and a drummer more specifically but I started producing electronic music when I studied Music Technology at university. I used the three years to develop my own style of music and \u2018sound\u2019 but didn\u2019t start to consider it as a career option until I had released my first track on Bambusa Records and found myself with a manager. The release and sudden Radio 1 support from Annie Mac for \u2018Chicago\u2019 is what really gave me that hunger and belief that I could pursue House music as a career.<\/p>\n<p><strong>Has your sound changed much since you started producing? <\/strong><br \/>\nI think someone\u2019s sound needs to change as time passes and genres develop. Your target demographic as an electronic artist will constantly change so it\u2019s important to be able to adapt to maintain a presence and an audience.<\/p>\n<p><strong>Do you play instruments when producing or otherwise?<\/strong><br \/>\nI\u2019ve played the piano and the drums for years so always find myself making a beat first and foremost then jumping behind a keyboard and seeing what works. I\u2019ll often record some live percussion sounds but that\u2019s about the extent of live instruments for now.<\/p>\n<p><strong>Tell us how you first got involved with Eton Messy? You\u2019ve released a few tracks on their Eton Messy Records Imprint.<\/strong><br \/>\nHaving an upload on Eton Messy\u2019s Youtube channel was a big ambition of mine and my first introduction to the guys was at my student union where I got the chance to support them. They\u2019ve been a huge support ever since and when considering which label to approach for my latest single \u2018Take Over\u2019, Eton Messy seemed to be the perfect fit. Since then I\u2019ve done a live session for their channel, released a track on their In:Season compilation and managed to be involved in their Autumn tour.<\/p>\n<p><strong>Tell us about your new track \u201cTake Over (Club Mix)\u201d and how you made it? Who writes the lyrics?<\/strong><br \/>\nTake Over has been a big project of mine and first came about last summer in-fact. I\u2019d been sitting on the track until the time seemed right to finally share it and the right label to release it to the world! The hook line is originally from a Dennis Edwards track, \u2018Don\u2019t Look Any Further\u2019 which I had re-sung and re-recorded up in Manchester by The Dream Life. Joe\u2019s tone fitted the track perfectly and really lifted it to the next level!<\/p>\n<p><strong>Have you got any major influences in your music?<\/strong><br \/>\nI take inspiration from so many producers and artists, constantly trying to break down and work out how they make their distinctive sounds. Detroit Swindle and Shadow Child are both huge influences for their beats, their arrangements and their organic, \u2018classic\u2019 house sounds. Disclosure are influencers for their pristine production, their rich, warm sound and their ability to transform house music into music you can listen to on your commute.<\/p>\n<p><strong>What was the first record you remember buying?<\/strong><br \/>\nThe first CD I remember buying is The Offspring\u2019s \u2018Americana\u2019 album and listening to it through my Discman on so many long drives. The first record I owned was actually Frankie Knuckles\u2019 \u2018Your Love\u2019 which my girlfriend bought for me.<\/p>\n<p><strong>Has there been a pinnacle moment in your career so far that you\u2019re proud of?<\/strong><br \/>\nThe past two years has brought so many highlights which I never thought I\u2019d be able to experience but a moment that stands out comes from summer last year. I was given the opportunity to play an AMP event at the incredible Dalt Vila in Ibiza and the memory of finishing my set infront of 3000 people and having Annie Mac jump on the mic during my last track and follow on from me will stick with me forever as a turning point in my career.<\/p>\n<p><strong>What do you do when you\u2019re not producing and DJing?<\/strong><br \/>\nMy two brothers and I started up a video production company four years ago or so and so when I\u2019m not producing or DJing I\u2019ll often be behind the lens of a camera for Brother Film Co. I never find myself with a great amount of free time but when I do I love cooking and just chilling out.<\/p>\n<p><strong>What\u2019s your dream venue to play at?<\/strong><br \/>\nMy experience of playing Ibiza is still small so DJing at Pacha or Amnesia is high up on my list of dream venues (I\u2019m already too late for Space). I\u2019d also absolutely love to play a stage at Glastonbury. It has always felt like a right of passage to play the iconic festival to justify calling yourself an artist so I hope the day comes soon!<\/p>\n<p><strong><em>&#8220;Take Over&#8221; (Club Mix) is now available on Eton Messy Records.<\/em><\/strong> Stream &#038; Share <a href=\"https:\/\/soundcloud.com\/etonmessyrecords\/apres-take-over-club-mix\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.deephouseamsterdam.com\/wp-content\/uploads\/2016\/12\/wbxRH14pjGx1-heZvTAVZGqrYh5JrO3sLrtD98K8Qz3mAiEfwGx0WDnLOqoI1v3k2SERKAGE4-d4oJoG8hmwHPpdTXDJj7HGK3PnGr81mDLsWjJ-54W8alGrThRRoY2DgQIkY23o-e1481120208101.jpeg\" alt=\"Apres-Eton-Messy-Take-Over\" width=\"628\" height=\"628\" class=\"alignnone size-full wp-image-38995\" \/><\/p>\n<p><span class=\"button small\" style=\"background:#E40045;\"><a style=\"color:#FFFFFF;\" href=\"https:\/\/soundcloud.com\/apressounds\" target=\"_new\" rel=\"noopener\"> Soundcloud <\/a><\/span> <span class=\"button small\" style=\"background:#E40045;\"><a style=\"color:#FFFFFF;\" href=\"https:\/\/www.facebook.com\/apressounds\/\" target=\"_new\" rel=\"noopener\"> Artist Page <\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We caught up with Londoner Apr\u00e8s as he continues his fine run of form in 2016 with his forthcoming release on Eton Messy Records to chat production, inspiration and Ibiza. Bursting onto the scene with \u2018Chicago\u2019, a mammoth debut on SubSoul which went on to be one of the biggest house records of 2015, the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":38993,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3971],"tags":[1839,12225,12227,1224,4650,3270,7010,1376,5165,98,4538,12226,2586,4752,1841,750,4150],"class_list":["post-38917","post","type-post","status-publish","format-standard","has-post-thumbnail","category-interviews-london","tag-annie-mac","tag-apres","tag-boardmasters","tag-chicago","tag-chicago-london","tag-dj-ez","tag-eton-messy","tag-groove-armada","tag-groove-armada-london","tag-interview","tag-interview-london","tag-lost-village","tag-marco-carola","tag-marco-carola-london","tag-mistajam","tag-pete-tong","tag-tough-love"],"_links":{"self":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/posts\/38917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/comments?post=38917"}],"version-history":[{"count":0,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/posts\/38917\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/media\/38993"}],"wp:attachment":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/media?parent=38917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/categories?post=38917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/tags?post=38917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}