{"id":47240,"date":"2017-10-23T18:42:14","date_gmt":"2017-10-23T16:42:14","guid":{"rendered":"http:\/\/www.deephouseamsterdam.com\/?p=47240"},"modified":"2017-10-23T18:44:00","modified_gmt":"2017-10-23T16:44:00","slug":"dhl-interview-hnqo","status":"publish","type":"post","link":"https:\/\/www.deephouseamsterdam.com\/london\/dhl-interview-hnqo\/","title":{"rendered":"Interview: HNQO"},"content":{"rendered":"<p><strong>One of Brazils finest exports HNQO drops in to talk about his latest and arguably greatest venture: His debut LP on Gui Boratto\u2019s DOC label, \u2018The Old Door\u2019. <\/strong><\/p>\n<p>HNQO has been churning out heavyweight beats for years and is a household name on the scene. From releases on<em> Hot Creations<\/em> to this on his own famed <em>Playperview<\/em> label, HNQO\u2019s music is heard on dance floors far and wide. We find out more about the inspiration behind the album, his relationship with <strong>DOC<\/strong> and his favourite tracks on the album\u2026<\/p>\n<h3 style=\"text-align: center;\"><em><span style=\"color: #e40045;\">&#8220;It feels like a mission that was out there waiting for me to accomplish&#8221;<\/span><\/em><\/h3>\n<p><strong>Hi Henrique, how are you?<\/strong><br \/>\nHello guys. I&#8217;m very fine, thank you.<\/p>\n<p><strong>How does it feel to release your debut album?<\/strong><br \/>\nIt feels like a mission that was out there waiting for me to accomplish &#8211; Of course, taking the most fun out of it.<\/p>\n<p><strong>What\u2019s your relationship with Gui Boratto and DOC? <\/strong><br \/>\nI made a remix for one of Gui Boratto&#8217;s songs &#8220;Flying Practice&#8221; back in 2013 if I&#8217;m correct. He personally picked up a few of his favourite Brazilian producers to remix this song and I remember he really liked my version of it, putting it to his live sets. We started to communicate more often after that and the rest just happened as naturally. <\/p>\n<div class=\"youtube\" id=\"q3VfSguSSaI\" style=\"width: 628px; height: 350px;\"><\/div>\n<p><strong>Why did you choose to release your debut album on DOC and not your own Playperview imprint?<\/strong><br \/>\nI had a pretty good schedule of releases on Playperview the last two years and DOC really liked the material since the first songs I wrote for the album. Also because of their distribution with Kompakt being very on point and reaching a big portion of the globe. <\/p>\n<p><strong>What was the inspiration behind the album?<\/strong><br \/>\nI wanted to keep my roots and also to have a new sound that could translate my feelings and sort of behave like a soundtrack through the period it took me to write down all the tracks. I guess life was the main inspiration for it.<\/p>\n<p><strong>How many hours did you spend slaving away in the studio to put it together?<\/strong><br \/>\nI didn&#8217;t count how many hours it took me to finish from top to bottom but I think the average on each track was something around 20 to 25 hours. I&#8217;ve finished 13 tracks to pick out the 10 that are on the album. The mixing process took a good amount of time too. <\/p>\n<p><strong>How has growing up in Brazil shaped your sound and musical career?<\/strong><br \/>\nI suppose this is written off in the music I make. There should be a bit of the Brazilian groove attached to it. But I can&#8217;t really say how it shaped my career. <\/p>\n<p><strong>Do you think this album is made more for the dance floor or for personal enjoyment? Or both?<\/strong><br \/>\nI think it&#8217;s more like an album that you need to hear a few times and enjoy its details. Pay attention to the layers and textures. the lyrics. You can also play this out but it depends on the dance floor, the crowd. <\/p>\n<p><strong>What\u2019s your favourite track off the album?<\/strong><br \/>\nMy favorites are &#8220;Light a Cigarette&#8221; and &#8220;Bowed Piano&#8221;<\/p>\n<p><strong>What does the future hold for HNQO? Any further goals or ambitions to achieve?<\/strong><br \/>\nI want to start thinking on my next album. Making the second album should be more challenging than the first one.<\/p>\n<p><strong><em>\u2018The Old Door\u2019 LP is out now on DOC<\/em><\/strong> <a href=\"https:\/\/www.beatport.com\/release\/the-old-door\/2113435\" target=\"_blank\" rel=\"noopener\">BUY<\/a> <\/p>\n<p><span class=\"button small\" style=\"background:#E40045;\"><a style=\"color:#FFFFFF;\" href=\"https:\/\/soundcloud.com\/hnqo\" target=\"_new\" rel=\"noopener\"> Soundcloud <\/a><\/span> <span class=\"button small\" style=\"background:#E40045;\"><a style=\"color:#FFFFFF;\" href=\"https:\/\/www.facebook.com\/hnqopage\/\" target=\"_new\" rel=\"noopener\"> Artist Page <\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of Brazils finest exports HNQO drops in to talk about his latest and arguably greatest venture: His debut LP on Gui Boratto\u2019s DOC label, \u2018The Old Door\u2019. HNQO has been churning out heavyweight beats for years and is a household name on the scene. From releases on Hot Creations to this on his own [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":47241,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"footnotes":""},"categories":[3971],"tags":[15198,139,4562,4539,680,218],"class_list":["post-47240","post","type-post","status-publish","format-audio","has-post-thumbnail","category-interviews-london","tag-doc","tag-hnqo","tag-hot-creations-london-2","tag-interview-london-2","tag-kompakt","tag-playperview","post_format-post-format-audio"],"_links":{"self":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/posts\/47240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/comments?post=47240"}],"version-history":[{"count":0,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/posts\/47240\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/media\/47241"}],"wp:attachment":[{"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/media?parent=47240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/categories?post=47240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deephouseamsterdam.com\/london\/wp-json\/wp\/v2\/tags?post=47240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}